Update: I kept looking at the grain in this image scan and thinking, it doesn’t look right for a T-Max 400 film; I was right.
It was in fact Ilford HP5 developed in Rodinal: the confusion arose because this image was at the end of a series I had made of storm clouds. I changed over to T-Max ( having run out of Ilford) and continued, but kept the negatives together as they were all of the same subject. That will teach me to pay more attention to the edge markings, getting lazy !! with using my Nikon Df/800 and always having the metadata confirm what my settings were.
Not sure if this is an old Drovers’ way marker or a ‘Standing Stone’ that has been bypassed by the track.
A drovers’ road, drove [road] or droveway is a route for moving livestock on foot from one place to another, such as to market or between summer and winter pasture Many drovers’ roads were ancient routes of unknown age; others are known to date back to medieval times
Changing the time twice a year was first established by the Summer Time Act of 1916, after a campaign by builder William Willett, so that evenings have more daylight and mornings have fewer daylight hours. It’s been changed a couple of times since then, notably during WW II when ‘Double’ summer time was introduced, 1941 to 1945 when Britain was GMT+2. Between 1968 and 1971 the clocks stayed at GMT+1 but statistics showed an increase in traffic accidents during the morning hours but a substantial decrease in the evening so UK reverted back to GMT/BST changes each year. Beginning at one o’clock, Greenwich mean time, in the morning of the last Sunday in March and ending at one o’clock, Greenwich mean time, in the morning of the last Sunday in October.
I hate it, it’s not natural, messes with my body clock, I’ve only just begun to get it into my head that in UK I can’t go shopping late evening, as most shops close after 17:00 hrs.
The problem with going through old files and negatives is finding forgotten and unidentifiable images. That is exactly what this is, all the negative page said was ‘Pinhole experiments’ with 35mm camera and body cap, it had several badly exposed and/or very blurred images but this one was the best.
I remember reading about the possibility of using a body cap drilled for a pinhole lens, but cannot find the modified cap since moving.
I do remember using the Nikon F4/Nikon F2Sb after making the lens from a drilled body cap which I then fitted with a disc made from very thin aluminium with a precisely centred hole. The ‘f’ stop was around f:200, calculated by using the following.
f-stop = focal length / aperture diameter
Figures estimated by using a ruler and dividers, was about 0.25 mm and the distance of the pinhole to film plane about 50 mm.
f-stop = 50 mm / 0.25 mm = 200.
For those who wondered what the symbol of a circle bisected by a line was on their SLR, it denotes the point of focus for images at infinity; the film plane.
The disc was sanded, cleaned in Isopropyl alcohol then glued onto the lens cap and all painted with matt black paint.
Why I have never carried on with these experiments I have no idea and the memory jog only came after looking at pinhole images posted on Kevin Allan’s excellent blog filmphotography.blog/2019/09/25/ondu-pinholes-hexham-abbey/ Well worth visiting for his images and articles about cameras, materials & techniques.
Llanthony Priory in the Vale of Ewyas, within the Black Mountains area of the Brecon Beacons National Park south east Wales.
An Augustinian Priory until the dissolution of the Monasteries by Henry VIII.
As can be seen from the J.M.W Turner picture below, between 1794 & 2019 the site has reduced in size considerably.
In the early 1100s a Norman nobleman, Walter de Lacy, took shelter from a rainstorm in a ruined chapel. Inspired by its remoteness and serenity, he decided to build a church. Others were soon drawn there, finding it a place for solitary prayer, and by 1118 a group of monks from England converted it to Llanthony Priory.
Llanthony’s isolation placed the Priory in a vulnerable position, not helped by the local inhabitants resenting the English monks occupying Welsh land. They repeatedly attacked the building; it was also targeted by thieves, so by 1135 the monks were forced to retreat over the border to Gloucester where they founded Llanthony Secunda. Between 1186 and 1217, again probably around 1325 building work took place allowing the Priory to become fully functional again and on Palm Sunday, April 4, 1327, Edward II visited. Its regained status was not to last, in the early 15th century it was attacked yet again, this time by the Welsh prince Owain Glyndwr as part of his campaign to recapture Welsh land from the English. This started a period of decline and the Priory finally closed in 1538 during the Dissolution of the Monasteries by King Henry VIII.
The Pump room – Bath: The novelist Jane Austen mentions both Bath and the Pump room in her novels Northanger Abbey and Persuasion.
Known for providing a rather (for me) obnoxious warm mineral water, that has been renowned for its restorative powers since before Roman times.
Zenit B with Helios 44 58mm f/2, M42 screw mount lens: Ilford FP4.
All the images so far, came from negatives that I have not looked at for over 40 years. Made with a non-metered Russian made Zenit B using the ‘sunny 16 rule, on Ilford’s FP4 which they introduced in 1968 as a replacement for their FP3; produced from 1942 – 1968. As I did not process my own films in those days, they were taken to local camera shops for development & printing on postcard size paper.
As a matter of interest: The statue of Captain James Cook (1728-1779) can just be seen on the upper right of the first image, his ships ‘Resolution’ and ‘Endeavour’ were built in Whitby.