This from wikipedia & English Heritage.
Geophysical work by English Heritage in 1997 revealed a surrounding ditch and nine concentric rings of postholes within the stone circle. More than four hundred pits, 1 metre (3ft 3in) across and at 2.5 metres (8ft 2in) intervals, stood in rings at the site. The ditch is 135 metres (443ft) in diameter and about 7 metres (23ft) wide. A 40 metres (130ft) wide entrance was visible on the north-east side. No surrounding bank has been identified although the site awaits excavation.
The geophysical work transformed the traditional view of Stanton Drew as being a surface monument and the Great Circle is now seen as being one of the largest and most impressive Neolithic monuments to have been built. Analogous with the circles of postholes at sites at Woodhenge, Durrington Walls and The Sanctuary, it is thought that the pits would have held posts which would have either been freestanding or lintelled as they could not have supported a roof at that size. The postholes in nine concentric rings held posts up to 1 metre (3.3ft) in diameter indicating the use of ancient trees which were sacred to the druids.
Nearby and to the north-east is a smaller ring of eight stones in the centre of which the geophysical work identified four further pits. A third ring of twelve stones, measuring 43 metres (141 t) wide, stands to the south-west.
A fluxgate gradiometer survey in July 2009 investigated standing stones in the garden of the Druids Arms public house known as The Cove, which showed that the stones date from nearly a thousand years before the stone circles. The conclusion from the study was that these upright stones are likely to have been the portals or façade of a chambered tomb.
Just had a very enjoyable long weekend with my daughter, this was one of the
places we visited.
Probably late Neolithic to early Bronze Age: thought to date between 3000 and 2000 BC. I will post more in the next few weeks.
See this link from English Heritage: Stanton Drew.
Another from Burton Agnes: this was made with the wrong aperture so had lots of motion blur and I nearly threw it out. The place is very old, cold and damp, so with a little added diffusion along with printing it on Ilford multigrade FB art 300 paper, it should give more of a feel for the place. Well that’s my excuse anyway 😉
Info about Ilford MG Art 300 paper, from their site:-
Black & white, silver gelatin coated, 100% Cotton Rag based darkroom paper. This premium quality, variable contrast paper delivers a slightly warm image tone on a neutral to cool white acid-free base. This unique paper has a textured matt surface with an ‘eggshell’ sheen finish making it a traditional fine art darkroom paper unlike any other. It is the perfect complement to showcase stunning black & white fine art images and is ideal for toning, hand colouring and retouching.
Burton Agnes Hall, an Elizabethan manor house on the edge of the village of Burton Agnes, near Driffield. Built by Sir Henry Griffith in 1601–10 to designs attributed to Robert Smythson. Although the configuration of the house as it stands, does not follow his original plans, it is probably due to changes being made as the building was constructed.
The estate has been in the hands of the same family since Roger de Stuteville built the Norman manor house on the site; the Undercroft of which is shown in my earlier post.
In 1457 Sir Walter Griffith came to live there. The Griffiths were a Welsh family who had moved to Staffordshire in the thirteenth century and inherited the Burton Agnes estate.
The present Elizabethan house as seen here in this post, was built next to the original Norman manor house when Sir Henry Griffith, 1st Baronet, was appointed to the Council of the North.
A quick early morning walk along the canal – I had hoped it would be foggy but alas no, just a light mist. It was very cold though.
(yes I know it’s all relative, 1 or 2C. is not 25 to 35C. so I have an excuse)
Construction authorised in 1767, it was fully open for traffic in 1770. Although the railway arrived at Driffield in 1846, the canal prospered until the 1870s, when there became a gradual decline. The last commercial traffic was in 1951, it now being just a lovely walk.
Cadbury multivallate hillfort on the summit of Cadbury Hill, a natural and commanding ridge separating the Gordano Valley from the Somerset Levels.
Early Cadbury: c.1000-300BC, occupation & building of the first ramparts.
Middle Cadbury: 300BC-AD40/50, addition of the outer ramparts.
Late Cadbury: AD40/50-400, a possible Roman attack, indication of Roman barracks.
Anyone who has read or knows ‘The Lion, The Which & The Wardrobe’ by C S Lewis, maybe interested in a little story about the Malvern gas lamps. Apparently, Lewis & some friends had been drinking in what is believed to have been the The Unicorn public house (Beer and all things drinkable, for those not familiar with the term) on the corner of Belle Vue Terrace Malvern. It had been snowing and on the journey home, Lewis is said to have been inspired by the sight of these lamps glowing in the falling snow, he is quoted as saying “that would make a very nice opening line to a book” The Lion, the Witch and the Wardrobe used that image as the children enter the realm of Narnia.
Both C S Lewis and J R R Tolkien regularly visited and walked in the Malvern Hills.
Many of the lamps have been restored and listed as historical items; so although at one point ‘Bean Counters’ decided they were costly & should be removed, common-sense prevailed and about 109 were saved.